All the other times I felt like I was getting better, I would be so fired up to play again, I'd gun it. I'd sightread as much as I wanted and turn off the telephone line between my brain and my body. It was too delicious to stumble through Chopin etudes and short Brahms pieces, maybe even play some of the Beethoven concerto I did a couple years ago. Come morning, I would never fail to plummet back where I was, or worse.
Now I've started doing a couple things differently. I spend more time warming up, legitimately paying attention to how my fingers feel. I use one hand to cradle the other as it plays, helping simulate the correct motion and basically playing the fingers forcefully the right way so I can stay relaxed and really learn how that feels (and note that it IS possible to play without tension). Also, I don't put so much pressure on myself. I'm not afraid of having a bad day, because I know it won't stay this way forever, and that it's going to be an extremely slow process. I know when it's best to just stop for the day even if things aren't going the way I'd like. There's no easy fix for this, and after a year I have HAD to accept that. But it's exciting to make small strides each day. I've still got a lot of work to do, but at the very least, I'm doing fewer things wrong.
And the cool thing is, when I force myself to go slower, I improve faster. When it hit the 2-weeks-before-my-audition mark, I got a little scared, but SO much good stuff has happened just since then (and it's been, what, only 5 days, and I've got almost 9 left). And you might think when I say "go slower" I'm speaking metaphorically, and being all tortoise/hare preachy. To some degree, yes, but also, I'm literally talking about tempo. The metronome, with its sometimes gentle, sometimes insistent, sometimes maddening little ticks, is my best friend.
I Owe You Nothing
4 hours ago